Our Team

CIPHER

J. Griffith Rollefson

Griff (@cybergriff) is a hip hop scholar and jazz bassist who serves as Professor of Music at University College Cork. Griff leads CIPHER and is founding co-editor of the journal Global Hip Hop Studies (with Adam Haupt). His books are 2017’s Flip The Script: European Hip Hop and the Politics of Postcoloniality (winner of the Society for Ethnomusicology’s Ruth Stone Book Prize) and the new Critical Excess: Watch the Throne and the New Gilded Age. In addition to its musical power, Griff is interested in the mystical, metaphysical, and magical sides of hip hop knowledge.  He specializes in European and North American hip hop and his all-time top-three favorite tracks are: Black Sheep’s “The Choice is Yours”, Lauryn Hill’s “Everything is Everything,” and Roots Manuva’s “Colossal Insight”. 

Warrick Moses

Warrick is an ethnomusicologist with a primary interest in how racial and ethnic identities are expressed in hip hop and popular music. His multidisciplinary research draws on aspects of music analysis, anthropology, critical race theory, and sound studies. Originally from Cape Town, Warrick received his PhD in African and African American Studies from Harvard University, but began his graduate career as a clarinettist – shifting from Western Art performance to folk and contemporary genres – before deciding to just write about music instead. While not exactly a sneaker-head, Warrick does own a lot of high-tops.

Jason Ng

Jase is a bboy, beat-maker, videographer, researcher and general enthusiast of all things hip hop. Growing up in the breaking scene in Australia, he later moved onto video and music production, directing music videos for artists in Australia and Japan. He studied at Monash University where he did his PhD on Asia-Pacific hip hop exchanges and the cultural community leaders and intermediaries that connect the region. Offering a perspective from the cipher, Jase brings with him a practice-led collaborative approach to his research on everything from MPCs to footwork.

Steven Gamble

Steve (@stevengamble_) is a self-described internet nerd and researcher of online hip hop. A lifelong fan of rap and metal (among other things), he wrote How Music Empowers: Listening to Modern Rap and Metal. He studied at the Universities of Surrey, Oxford, and Kingston (London) and left a leadership role at the popular music uni BIMM Institute, Brighton, to join the CIPHER project. Independently working on the MSCA postdoc Digital Flows, he offers important insights into issues such as online communities, listening habits, social media, hip hop production, platform economics, surveillance, and data analysis, plus he won’t stop sending us terrible memes.

0phelia McCabe

0phelia is an underground hip hop MC, electronic music producer, improviser, poet, and educator known for her live performance quality. She has opened for and collaborated with a stream of national and international hip-hop artists since 1999 (Ice Cube, Tony Allen, Maverick Sabre, Sage Francis, Pharaohe Monch, De La Soul, and Ultramagnetic MCs among others). She has toured nationally and established meaningful creative bonds with hip hop artists all over Ireland. 0phelia has a Masters in music performance from C.I.T. Cork School of Music and has been facilitating youth expression through hip hop since 2007. 0phelia is fascinated by rhythm and freestyle, and is conducting research in ciphers across North America and Europe.

Maria FitzGerald Houlihan

As the CIPHER Research Support Officer at UCC, Maria keeps the project running smoothly. Maria has a First-Class Honours Degree in English and Geography and was UCC College Scholar in 2017. Her research interests are in ecocriticism and nature writing (particularly the eco-critical turn in Irish women’s poetry) as well as African American literature and postcolonial studies. Maria formerly worked with the European Commission in Brussels and international education.

James McNally

James is a writer and cultural historian with a long history as a rap critic. He was Staff Writer at the British magazine Hip-Hop Connection for nearly a decade. He has contributed to a wide variety of media projects, including the album analysis podcast series Decode. He has taught at the University of East London and the University of Bristol – where he was post-doctoral researcher on the AHRC project Regional Rap in Post-Devolution Britain. A sociologist by training, James’ hip-hop scholarship is highly interdisciplinary. His completed PhD provides the first full history of hip-hop’s arrival in London in the 1980s and is the basis for his forthcoming book, Future Shock London. His MSCA project, Long Island Rap Renaissance, explores the era-defining explosion of hip-hop innovation that emerged from New York’s Black outer-suburbs from the late 1980s.

Janne Rantala

With the last decade living and doing research in southern Africa, Janne (@JanneRantala10) has passion for fieldwork, arts, perception and sound. His MSCA project is about Hip Hop’s performance of historical knowledge in three Mozambican cities: Beira, Chimoio and Maputo. Similarly to eclectic and omnivorous Hip Hop, Rantala likes to swim, dive in and sail on the ocean of music, and literature. Recently he has been busy to process this type of navigations into methodological paper in collaboration with Chimoio producer IMBLGK. Personally Rantala loves to pay attention to seemingly insignificant details, which at times transform something out-standing as in baroque composition, or Mozambican Hip Hop instrumental. His research methodology has a combination of continuous conversations with Hip Hop heads as fellow postcolonial intellectuals and popular historians, and multi-layered listening to their rap performance linked to several types of readings. He is a scientific coordinator of Bloco 4 Foundation, an amateur radio feature maker and a member of the first 5-continental Hip Hop collective in history, Interligados (@INTERLIGADOSss). Drawing from decolonial reading of Victor Turner’s writings about liminality, he designed a general theme for the group’s hit track ‘O Poder dos Fracos’ (Power of the Weak). It gave the name to the group’s debut album.